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Opera Interna
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This work explores the performance of emotion and examines the point at which the bodily experience of self meets and intersects with the performed identity of a character.
The large scale, very high definition
digitally manipulated images question notions of the real in
different ways. Their
physical presence is designed to have an emotional
impact in itself, whilst their theatricality offers the viewer a
critical distance from the subjects.
The ‘larger than life’ scale of the images allows the audience to question the degree to which the emotion performed by each singer is ‘genuine’. The slippage in the artifice of wig, make up etc. during performance becomes a crucial part of the expression of character. The vulnerability suggested by these ‘mistakes’ raises questions about the extent to which people unconsciously communicate emotional or mental states in addition to those they are conscious of performing. |
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